Tuesday, December 12, 2006

Suburban Man: The Santa Threat



By Rick Kaempfer




You may not know the name Haven Gillespie, but if you’re a parent, he has given you the gift that keeps on giving. Since 1934, American parents have quoted this wise Kentucky philosopher on a regular basis; especially during the months between September and December. J. Fred Coots may have written the music that makes Gillespie’s words more memorable, but it’s the words themselves that have resonated with parents.


Haven Gillespie wrote the lyrics for “Santa Claus is Coming to Town.”



While it’s certain that parents used the Santa threat well before Gillespie wrote the lyrics for that song, he gave the threat credibility. I think that’s the secret to the song’s longevity—a reason why it has become a standard; a beloved holiday song. The music may be warm and comforting, but the lyrics are a none-too-subtle threat.


You better watch out,
You better not cry,
You better not pout,
I’m telling you why,
Santa Claus is coming to town




If you’re a parent that hasn’t quoted that song at one time or another, then you’re a saint. The temptation is simply too strong. When the little darlings are acting up, crying, or whining, and it’s during those glorious months between September and December, a simple humming of this song will often stop them in their tracks. It’s the Santa threat.

Sure, Santa brings presents, but he’s a little scary.

You better watch out!

Sure, Santa brings presents, but he hates whiners.

You better not cry
You better not pout


Parents may have told their kids this before 1934, but when the words are in a song, they have gravitas. Keep in mind this song was written during the Great Depression when children already knew they weren’t going to get much. The 1934 Santa had a much smaller bag, and he wasn’t going to bother putting toys in that bag for whiners or complainers. That must have been pretty obvious to kids in 1934, but I’m still glad Gillespie put it in the song. It’s not obvious to my kids. As a matter of fact, between January and September, I tell them not to whine, cry, and pout all the time—and it’s like I’m saying ‘blah, blah, blah.’ But during the autumn months, I simply sing Gillespie’s wonderful lyrics. It gives my words power and meaning, because…

Santa Claus is coming to town.

While the first verse is great for handling simple whining and crying problems, the second verse of the song is positively visionary. This is the verse that lets my kids know that the entire matter is out of my hands. I’d love to help them out, but I’m not the one keeping the list; Santa is. Take it up with the bald fat man at the North Pole. He’s the one that controls the presents, and he’s not around, so you’re wasting your breath begging me. What is the kindly old man doing right now?

He’s making a list,
He’s checking it twice.





I have probably said those words a thousand times in my ten years of parenthood. My oldest son Tommy nods knowingly when I sing it. Don’t question Santa. The man is a stickler for detail. Dad forgets things all the time, but he’s not keeping a list. That Santa character is the real deal. I once heard Tommy explaining to his little brother that Santa has people everywhere—a network of spies that rivals the KGB. You may run, but you can’t hide. Don’t believe me? Listen to the words…

He’s going to find out who’s naughty and nice.

I know I’m speaking for most parents in this country when I say: Thank you Haven Gillespie. Thank you for the crying, thank you for the pouting, thank you for the list, and thank you for making him check it twice, and thank you for not mincing words. It’s the “N” word, kids. It’s naughty. Case closed. You probably just made the list, and Santa isn’t the kind of guy who fools around. He’s a stalker.

He sees you when you’re sleeping,

That’s probably the scariest line in the song. I like to sing it in a sinister voice.

He knows when you’re awake.


I’m betting that not many parents use that line, but I have two boys who share a room. I’ve opened the door on school nights more than a few times to sing that line. It silences the boys instantly—like magic. I love that line, but not as much as I love the refrain. It’s what gives the song a happy ending—a course of action.

He knows if you’ve been bad or good,
So be good for goodness sake.


Now that’s just the Santa threat in the most direct terms possible, but it comes with a positive message, even if it’s said through a forced smile. When a child is pouting, or whining, or wailing, or fighting, or doing anything at all other than what Mom and Dad want them to do, the solution is right there.

Be good for goodness sake.


Got it? Good. Now go to your room.

Most kids don’t even know the rest of the song. The next few verses are full of boys and girls having a jubilee, and kiddie cars and curly head dolls…but kids have a very hard time remembering those verses. The message of the first two verses and the refrain are still ringing in their darling little ears.

And for that, we should all thank Haven Gillespie.

If he hadn’t passed away in 1975, we would be calling him right now to commission another song. By ten in the morning on December 25th, if you try the Santa threat again, even if you sing the most powerful holiday song of all time, you will probably get a reaction something like this:

“Santa’s already been here. Look at all these presents! He loves me!”

I know I speak for most parents when I say it’s time for a new song to cover the time from December 25th to September 1st. That’s a long time to parent without such a powerful threat. Consider this a plea to the Haven Gillespie of the 21st century. I don’t want to be greedy, but if the words could say something about video games being taken away forever, that would be great.


Note: This article also appeared in SHORE magazine's 2005 Holiday issue


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